Showing posts with label Theatre. Show all posts
Showing posts with label Theatre. Show all posts

Monday, 23 September 2013

A Frucket list updated, and Klimt-spiration

You guys, I'm really sorry about missing the recent meetup in London, but frankly if Edinburgh calls in the month of August, you had better make sure you were there. I vowed to drop the stitching for a week and half to work, socialise and see shows at one of the world's largest arts festivals. I even managed to squeeze in a spot of guest blogging for my venue, Paradise Green, which you find on George IV Bridge.

Photo credit:  Jonathon Hunter

As usual, we had a lot of excellent shows from young companies eager to show off. Plus there was a new venue added, the Kirkhouse, with its own shows too. We seem to have a habit of hosting excellent professional international companies and I was totally blown away by East, a woman shifting on time axis. It's something totally unexpected for a bright fringe venue.



Anyway, you remember the Frucket List? As expected, it was impossible to see all the ones listed due to diary/schedule issues, but I did get to see some fantastic stuff. As with last year, some of the more surprising and affecting shows were the ones that where chosen fairly last minute! Going back over my stubs, I actually have to say that none of the shows on the Frucket list made it into my favourite five. Oh well! So of the 23 shows, which ones really hit home?


- Are You Sitting Comfortably?, The Dryden Society, C Nova - A love story between the tiny people who live in your radio. Plus a really psychotic tape deck who has no respect for personal space. Maybe it's the radio buff talking, maybe it's the closet rom com fan...
- Each of Us, Ben Moor, Pleasance Courtyard - Another love story! What's going on?! Well...not really...it's part love story, part conspiracy theory, part series of verbal tableaux. An hour of zen loopy storytelling by a performer so calm and reflective you forget what the world outside is really like.
- Everything's Elsewhere, Thisegg, C - Two girls used to be flatmates, they're not anymore. They explain why. This was the second year I've accidentally seen the company and they have an incredibly unique and appealing style. They do an excellent job of taking our tiny quirks and neuroses and then stretching them to some sort of surreal exaggeration.
- Gramophone Jass Band's Late Night Speakeasy, Henry's Cellar Bar - I'm a sucker for old school, Orleans-style jazz and blues. I seriously doubt you could get much better than a sweaty cellar bar, where the ceiling was not only too low for the double bass but also one of the band members. The only way to describe this gig would be to ask you to imagine this song at double speed
- Miles & Coltrane Blue, Concrete Generation, C - I know a lot of jazz gets a bad rep for seeming inaccessible à la Fast Show, and it nearly broke my heart when someone said they were put off going to see the show because they thought Miles & Coltrane were a comedy double act. But this show did an incredible job of shedding light on the stories of two jazz greats, giving us an opportunity to understand the music that we hear. The narration was incredibly powerful too, bringing in strands from black history, politics, gospel, biography...poetry...

It's true that these shows could really be classed as 'pleasant watching'. I don't know about you, but I'd much rather see a show and enjoy watching it than sit through something difficult to watch. But Marty Ross in 21st Century Poe really deserves a nod of approval too. He reworks classic Edgar Allan Poe stories for the 21st century, in a tiny cellar performance space. He. uses the area so effectively and is so vivid in his descriptions that I was pretty ready to vomit and a few punters had to leave the room. As the tale was reaching its peak there were a lot of nervous glances towards the door, had we genuinely been locked in The Vault with a madman? 
Some of his other work is available on the BBC Radio 4 Extra site at the moment too. Take a look, here's hoping it's engaging listening again.
In terms of craft, making and exhibitions (which, let's face it, is probably why you're here) I was lucky to stumble upon Craft Scotland's Summer Show, and hear Ebba Goring and hear how she makes her jewellery. She began with vintage lace and textiles, wanting to preserve the details and delicacy of some pieces that had been handed down to her. This also spawned out into making pieces from very fine crochet too. this style has become her trademark, and she's gone through a lot of challenges to establish this as her trademark. She also showed off some of her own  incredibly delicate crochet. It's definitely worth checking out if you're a textile fan! 

The one bit of stitchery I did give in to was checking out the Scottish Modern Quilt Exhibition at Avery Homestore. This was after spotting a Klimt print somewhere and realising that he was almost definitely a quilter. I mean, look those designs:


Once again the quilt exhibition was based around some local makers. There were lots of ideas floating around in quite a small space, and some of the pieces looked to me to be veering towards e more traditional ends of quilting. I'm no quilter but can definitely appreciate there must be history and folklore behind blocks and styles, two which caught my eye...

First was this quilt called Stained II. I love how the black and the blocks help break up the individual panes of colour, it's such a good idea to break up print scraps and lets your eye rest on each of the different designs. If you were feeling particularly bold, I bet you could put a secret picture in here...or something to annoy the colourblind...


The texture and 3D effect on this cushion really sets it apart. It's precise and deliberate but is very good a showing off the individual scraps. They almost literally jump out a you, would you agree?



Theatre seasons are kicking off again, there are some events kicking around to fight off the approaching winter nights and lots of new exhibitions are beginning to open again. I wonder what the next few months will bring in the form of inspiration?

Also, the Bournemouth Arts by the Sea festival just kicked off. In its 3rd year now it's going from strength to strength. Stop by and take a look what's on!

Thursday, 1 August 2013

A Frucket List of Sorts

Let it be known right now that it's 4.20am. I am really not looking forward to the comedown that will be happening at some point tomorrow. Oh boy. This is an odd experience though, typing late into the night. It's a bit like the customary "first night of the holidays" where time stretches out ahead of you and you want to savour every free and peaceful moment.

I'll be off up to Edinburgh in a few hours for the fantastic festival season and wanted to post a sort of bucket list for the time I'll be up there. I'm not a reviewer, just an enthusiast so I'm reluctant to give this list the label "picks of the Fringe", so it's called a Frucket List


Regent Rep - Baddies - The Space
Winning second place in Sky Arts' recent series Nation's Best Am Dram, the Regent Rep have always had a really strong reputation for high quality performances. Having worked at their home venue in Dorset I'm really excited to see they've ventured North for the festival.

Beta Males - Superopolis - Pleasance Dome
Always love a bit of good sketch comedy

The Paper Cinema - Odyssey - Summerhall
These guys came to Bournemouth Arts By The Sea last year and were fantastic. It's incredibly difficult to describe well what precisely they do. Any fans of puppetry...graphic novels...live music...storytelling...should really see them because they're developing a seriously good reputation.

Beth Vyse - Going Dark! - Banshee Labyrinth
The synopsis looks like this should be a comedy version of Duet for One. Not sure how true that actually is, but the dark humour side of me is really curious now.

Tony Law - Maximum Noonsense - The Stand
Lunchtime slot in a venue that's difficult to find. It's like earning your right to see the show.

Cheeky*Park - Company Man - C
Apparently a circus show about corporate life...? It reminds me a little of a show called Brainstorming (quand l'entreprise s'emballe) from a few years ago...

The Goddess of Walnuts - The Catherine's Club - Paradise in the Vault
The Catherine's Club performed Meat in our venue last year. It was excellent. Affecting. Tim Foley has returned with more of his own writing and I'm really hoping this will be as inventive as Meat was.

I'll be looking to post and tweet about shows while in the city too. As ever, some of the best shows from last year were ones we stumbled on at the last minute, so does anyone have any recommendations or suggestions?

So far recommendations have been for Chalk Farm, Casual Violence, Boy with Tape on his Face, a Socialist Magician (I don't even have a clue...), Speakeasies...

Not forgetting about the actual international festival and the book festival all happening at the same time. I totally missed them last year, but the Translation Duels look really interesting and I'm hoping to capitalise on some day tickets for the international festival too.

So if you're in town, I'll be working at the Paradise venues (main one on George IV Bridge) so stop by and say hi. (If any stitchers are up for a speedy trip to Mandors too...?)

(I owe you guys projects. Seriously, there are so many projects lined up. You will be bombarded)

Thursday, 4 October 2012

Feeling the Effects of Fringe Thinking

Fringe Thinking: (noun) The effect on memory, perception of time, and ability to distinguish separate events as experienced at the Edinburgh Fringe Festival. 

I just got back from my first real theatre show since Edinburgh; and as the lights went down, I found myself wondring "how long can a physical theatre contemporary adaptation of Uncle Vanya really last?". Luckily, it was just about the length of a Fringe show, I'm still not sure if my attention span is back to normal. Meanwhile, it could be fun to quickly mention a few shows which had a particular memorable effect while at the Fringe.

Leaving, Limbo, Landing
This was an outdoor physical theatre show by Caroline Bowditch and East London Dance. The show explores the reasons and motivations behind why people choose to leave their home towns, or countries, to move elsewhere. I found it interesting because I'm sure one of the performers was deaf, and some of the choreography integrated sign language. The costumes, designed by Anny Grewcock, were also very striking. Made out of uncommon materials including bubble wrap, hessian sacks and postage tags, the costumes also involved a lot of interesting shapes that were well fitted and morphed as the performers moved. I'd definitely like to take creative inspiration from Grewcock and translate some of them into my own future projects.





Fork
Finnish electronic acapella. Sixteen quid. This show was a good reminder that you get what you pay for. The show struck a particular technical cord because of some mad wizzardy in getting singers to sound like the actual instruments. Now, although this is seriously impressive, does it undermine the whole idea of an acapella group? In a full length show, would they strip down the effects so we can understand the processes behind the performance? And surely the sound engineer deserves a little more recognition?

Departure Lounge
This show was completely unexpected. It's about four British lads stuck in an airport departure lounge, waiting for a flight home from Spain. Everything from the stripped down set, the costumes to the style of the songs and the subject matter, is completely alien to my concept of "musical". Perhaps that's why it's so easy to remember.


What do you think? Are there any shows which have had lasting effect on you?

Friday, 6 July 2012

A Kick Up The Arts


Now would be a good time to let people know that I'll be working at the Edinburgh Fringe in August.

In a fever of anticipation I've ordered a load of programmes for the various festivals and events in the city and the first one arrived today! It's the main Fringe brochure which you can see online here.

Of the things that caught my eye, perhaps the most surprising was the fact that Mick Foley is doing a show.

 (Image source)

That's right, CACTUS JACK, MANKIND, the guy who was thrown through the roof of a cage onto a bed of thumbtacks! Why not? He must have some pretty good stories to tell, and he's probably pretty articulate when he's not jamming a sock down someone's throat.
 
But on a different note, I've decided to create a bucket list of shows to see (or attempt to see) and things to do in the city.

Here's what there is so far (in no particular order):
The Durham Shows: Shows from Shellshock, the Revue, WitTank and  DULOG
Student Revues: Obligatory Oxbridge Revue shows
Jay Foreman: Musical comedy who was featured last year on BBC 4Extra with a song about food
Nick Pynn: Slightly "out there" instrumentalist
Nina Conti: Ventriloquist who used to be part of the sketch show Blunder
Ma Biche et Mon Lapin: Some French puppeteers who seem interesting
Tartuffe:  Because Molière is great

Sadly there's no evidence of Milton Jones, Andy Zaltzman or Matthew Bourne shows in the programme. Oh well.

Does anyone have any recommendations for shows, venues or performers? Anything that is cheap/free worth a look? Any dance, theatre, cabaret or music? Or anything else to do in the city? Good places to eat?